From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the studio (the . You learned how to be a teenager from the show. That's what really happened, and the show shut down." 3. The Buddy Deane show aired 6 times a week and had a dance committee just like in hairspray. My mother wanted me to go, she took me down to the tryouts. So the NAACP targeted the show for protests. Or the Bob-a Loop? On the air before Dick Clark debuted, the show was a hit from the beginning, says Arlene today. Buddy returns on a pilgrimage from St. Charles, Arkansas, where he owns a hunting and fishing lodge and sometimes appears on TV, to spin the hits and announce multiplication dances, ladies choice, or even, after a few drinks, the Limbo. Arguably the first TV celebrities in Baltimore. "Buddy" Deane was a broadcaster for more than 50 years, beginning his career in Little Rock, Arkansas, then moving to the Memphis, Tennessee market, before moving on to Baltimore, where he worked at WITH radio. Actor: Hairspray. Hairspray, which started as a camp film with a modest $2.7 million budget, grew into a popular and commercially successful Broadway musical and movie. Even today Gene and Linda are the quintessential Deaner couple, still socializing with many Committee members, very protective of the memory, and among the first to lead a dance at the emotion-packed reunions. It was difficult with your peers, recalls Peanuts. C. Fields in drag.), This movie is the only radical movie I ever made because it snuck in mid-America. Owing to Deane's mid-South roots and work history, he featured many performers from the ranks of country and western music (e.g., Skeeter Davis, singing "The End of the World" and Brenda Lee singing "Sweet Nothin's"), who then achieved cross-over hits among rock and roll fans. In 1957, Deane was chosen by former WITH associate Joel Chaseman to host "The Buddy Deane Show," a dance show for teenagers on WJZ-TV Channel 13. You could throw her down on the ground, and her hair would crack, recalls Gene. Chaseman had this idea for a dance party show, with Buddy as the disc jockey, and Buddy asked Arlene to go to work for him. I couldnt be bothered with education. Both black and white activists picketed the . The star system was born. Another royal Deaner couple who met on the air and later married was Gene Snyder and Linda Warehime. Weve been searching for her for years, even Ricki Lake couldnt find her when she had her TV show., John Waters and members of the original cast of Hairspray. She was one of the chosen few who went to New York to learn how to demonstrate the Madison, and was selected for the exchange committee that represented Baltimores best on American Bandstand. Buddy Deane, a native of Pine Bluff, was one of the first radio hosts to understand the appeal of Rock n' Roll in its infancy, the host of a popular 60s teen dance show, the inspiration for a film and musical character in Hairspray, and so much more. Every day after school kids would run home, tune in, and dance with the bedpost or refrigerator door as they watched. This weekly time slot became known as "Special Guest Day" by the Deane Show's white performers and "Black Monday" by Baltimore's Black teens. Clip from Shake, Rattle, and Roll: The Buddy Deane Scrapbook Nicknamed "Buddy" as a child, Deane developed an early love for radio. Yet Joe was a dropout when he went on the show and then, once famous, went back to finish. That really hit home then., He adde, That scene where Tracy and [Link] are making out outside and the homeless guy walks up the street singing, that is exactly true. "The Buddy Deane Show," which aired on WJZ-TV in Baltimore from 1957 until 1964. . From 1964 to 1984, Deane hosted a show and owned KOTN-FM and KOTN-AM radio stations at Pine Bluff. As you can see from the December thread my question concerning African Americans was totally dismissed by the Committee member who was speaking. The Buddy Deane Show was a teen dance television show, similar to Philadelphia's American Bandstand, that was created by Zvi Shoubin and aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964.The show was taken off the air because home station WJZ-TV was unable to integrate black and white dancers. offered an unfiltered, uncompromising celebration of Black literature, poetry, music, and politics, capturing a critical moment in culture whose impact continues to resonate today. The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled. It was maddening: the Mashed Potatoes, the Stroll, the Pony, the Waddle, the Locomotion, the Bug, the Handjive, the New Continental, and, most important, the Madison, a complicated line dance that started here and later swept the country. We faked a feud. Buddy Deane. Hundreds of thousands of teens learned the latest dances by watching Committee members on the show, copying their personal style, and following their life stories and interactions. In its version of 1960s Baltimore, teenagers sing and dance their way past race. Im still a fana Deaner groupie. I took off my steady ring and threw it down. My mother used to pick me up after school to make sure nobody hassled me., The adoring fans could also be a hassle. If Im ever depressed, sometimes I think, Well this will make me feel better, and I go and dig in the box., Holding onto the memories more than anyone is Arlene Kozak, who is by far the most loved by all the Committee members. This assessment proved true when on Aug. 12, 1963 a group of black and white kids stormed the stage of "The Buddy Deane Show" and danced together. Oddly enough, few of the Deaners Ive talked to went on to show biz. John Waters, a Baltimore filmmaker and Deane Show fan, loosely based "The Corny Collins' Show" in his movie "Hairspray" on Deane's show. Warner, Tony, Buddy's Top 20: The Story of Baltimore's Hottest TV Dance Show and the Guy Who Brought it to Life! Everybody wanted to kick a Buddy Deaners a, says Gene, recalling thugs waiting to jump Deaners outside the studio. Although the Committee was a valuable promotional tool for WJZ at the time, and belonging was a full-time job, no one (except teen assistants) was paid a penny. The action of the musical takes place in 1962 and centers around Baltimore's teenage obsession with the television program The Corny Collins Show, a stand-in for an actual Baltimore production of the day, The Buddy Deane Show. Evanne and her brother run the John Brock Benson Dance Studios, in Pasadena, and have a line of dancers who appear at clubs all over the state. Waters took inspiration from the real-life Buddy Deane Show, a local dance party program that ran from 1957 to 1964 in the Maryland area. At just 10 years old, he and a friend set up their own radio station in a chicken coop that belonged to Deane's mother. (NWA Media). Hopefully, some footage of you and the other Black dancers will be found and published online.Best wishes to you and yes, GOD HELP US! That was our whole social life, being a Buddy Deaner, says Gene. The very first day on the set, I didnt recognize Divine, the filmmaker said. . Perhaps the last thing 2016 needs is a star-studded, light-hearted musical endorsement of colorblindnessthough, viewed holistically, Hairspray is more than that. All Rights Reserved. On the show you were either a drape or a square, explains Sharon. The ultimate reunion.From all over the country, the Deaners could rise again, congregate at the bottom of Television Hill, and start Madison-ing their way (Youre looking good. That's what really happened, and the show shut down." 3. Almost all dancers wore swim wear and beach attire, with music provided by WJZ-TV. Ladies and Gentleman . Being a teenage star in Baltimore had its drawbacks. Ric Ocasek as the Beatnik cat; Pia Zadora as the Beatnik chick; Production. Ninfa O. Barnard Special to The Commercial The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . The Buddy Deane Show was a show from the late 50's to the mid 60's. The show was a teen dance television show, similar to Philadelphia's American Bandstand. It was similar to Philadelphia's American Bandstand. The black cops would stop us and say: This isnt Greenwich Village, you know. That show featured local teens who danced to the hits of the era, although the entire cast was white except for one episode every other Friday for Black kids. Kings mention of Funtown is preceded by references to lynch mobs, police brutality, and the airtight cage of poverty, and followed by references to hotel segregation and racial slurs. And they all came together on the Buddy Deane Show, Baltimore's legendary teen dance show. Girl Scout leader, very active in my kids school. Mary Lou is still a star. I got these letters from the Naval Academy, Helen remembers, so I went there one day, and all the midshipmen were hanging out the windows. But most have settled down to a very straight life. I had always studied dance, and I wanted to go on [the show]. Yeah it was Cosenel, says Joe. Soon after, he and his family moved to Memphis, Tenn. This program is a tribute to long-time Maryland radio announcer Buddy Deane, who passed away in August, 2003. 1957, it was a huge success as it was portrayed in the musical. Powers was a particularly special addition, having disappeared in the years since the films release. It was a fluke. She was the one of the biggies who refused to be on the Board (they had power; a liked because of it). The Deaners didnt mind. But black kids in . Rather than integrating, the show was canceled. With the nation in a divisive place, he argued, viewers are looking for entertainment that can be really healing. The New York Times critic Michiko Kakutani saw a similar dynamic at play when Hairspray, the musical, debuting shortly after 9/11, won over fans: Hollywood and Broadway producers have decided [what] Americans want is nostalgiathe logic being that people in times of trouble will gravitate toward comfort entertainment that reminds them of simpler, happier times [such as] the candy-colored Broadway musical Hairspray., Hairsprays history of race in America suggests that racism is an issue of attitudes rather than of policies. Counter to host Dick Clark's claims that he integrated American Bandstand, this book reveals how the first national television program directed at teens discriminated against black youth during its early years . The Deane program set aside every other Friday for a show featuring only black teenagers. Mary Lou was the last of the Buddy Deane superstars, true hair-hopper royalty, the ultimate Committee member. Today they seem opposites. We got out of the limousine and there was a huge crowd that went crazy when Divine jumped out, and it was such an exciting night, Waters said. I thought I was running the world, so they developed a Board, and the Committee began governing itself. Being elected to the Board became the ultimate status symbol. Based loosely on the 1988 film by John Waters, Hairspray centres on Baltimore teen Tracy Turnblad (Carmel Rodrigues), who in 1962 wants nothing more than a chance to dance on the local pop music TV. I was Tracy, said Waters. Everywhere we went, people would say Theres Mary Lou. I wondered if she had just been released from the penitentiary.. When the subject comes up today, most loyalists want to go off the record. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. Why Europeans Dont Get Huge Medical Bills. He wanted me to go to a summer training session to be a trapeze artist. Later that year he enlisted in the Army, where he served in Europe involved in some of the most intense battles of World War II. Every week she had a different dothe Double Bubble, the Artichoke, the Airlifteach topped off by her special trademark, suggested by her mother, the bow. This man approached me, telegrammed me, showed up at the show. It would be a treasure to pass down to my future generations. Originally an all-white teen show with a monthly "Negro . Museum Day; Art; Books; Design; Food; Music & Film; Video; Newsletter; Travel. Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. I got a little power-crazed, admits Joe. The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . You Cant Stop the Beat, for example, is an upbeat dance number that resolves the issue of segregation on the Corny Collins Show. Its host was Winston "Buddy" Deane (1924-2003), who died in Pine Bluff, Arkansas after . were the highest rated local TV show in America." Amazingly, Deane's show was aired live, two-and-a-half hours each day on five days a week with three hours on Saturday. Although he never appeared on Deane's show, Waters attended high school with a "Buddy Deaner" and later gave Deane a cameo in the film, in which Deane played a TV reporter who tried to interview the governor who was besieged by integration protesters. In the beginning, there was Arlene. The show's format mirrored Philadelphia's "American Bandstand." Id hook and have to dance in the back so the teachers couldnt see me, says Helen. Several local art contests were also held on the show, with viewers submitting their own art work. "I still go to the Buddy Deane reunions," he says. After a surprise interracial broadcast, WJZ-TV received bomb and arson threats, hate mail, and complaints from white parents. Plot. That show featured local teens who danced to the. Interviews with leading film and TV creators about their process and craft. Deane even played a small role in the movie, which premiered to moderate success but went on to become a cult classic. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. (97) My heart would have broken in two if I couldnt have gone on. Finally, Helen quit Mergenthaler (Mervo) trade school, at the height of her fame. Once a Deaner, always a Deaner, as another so succinctly puts it. That she has an affluent life-style surprises no one on the Committee. Every weekday afternoon, in each of these broadcast markets, these shows presented images of exclusively white dancers and rendered black youth as second-class teenagers. So you cant imagine how excited I was when I finally got a chance to interview these local legends twenty years later. An then there was teased hair, replacing the 50s drape with a Buddy Deane look that so pervaded Baltimore culture (especially in East and South Baltimore) that its effect is still seen in certain neighborhoods of this great Hairdo Capital of the World. When that little red light came on, so did my smile, she says, laughing. http://pancocojams.blogspot.com/2016/03/how-madison-line-dance-got-its-name-and.html, http://pancocojams.blogspot.com/2016/03/al-brown-and-ray-bryant-madison-records.html, https://en.wikipedia.org/wiki/Buddy_Deane_Show, https://en.wikipedia.org/wiki/Hairspray_(2007_film), http://pancocojams.blogspot.com/2015/06/timeline-for-cultural-use-of-saying.html, https://www.washingtonpost.com/entertainment/tv/on-hairsprays-25th-anniversary-buddydeane-committee-looks-back/2013/01/17/a45a1cc2-5c23-11e2-88d0-c4cf65c3ad15_story.html, http://theurbandaily.com/2011/06/01/black-music-moment-96-short-lived-integration-of-the-buddy-deane-show/. At her appearances at the record hops, kids would actually scream when youd get out of the car: Theres Mary Lou! We hung around with black and whites together, which you couldnt do. Special appearances. I still believe that footage is out there somewhere. The first and maybe the biggest Buddy Deane queen of all. And although few will now admit to having been drapes, the styles at first were DAs (slicked back into the shape of a ducks tail), Detroits, and Waterfalls (flowing down the front) for the guys and ponytails and DAs for the girls, who wore full skirts with crinolins and three or four pairs of bobby socks. Sign Up: Stay on top of the latest breaking film and TV news! GOD HELP US! "How 'The Buddy Deane Show' really went off the air is the white kids crashed Negro Day to integrate it. Get off that furniture!? Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. On the one hand, the storys feel-good conclusion implies that colorblindness is the silver bullet that ends racial discrimination, that good intentions and individual acts of bravery are enough to bring about harmony. Sign up for our Email Newsletters here. "Do You Love Me" by The Contours, or "Hide and Go Seek" by Bunker Hill). Maybe that was a good choice because Divine was 40 then., She played against-type, certainly. and later on, growing up, it was a definite blow: reality. I still have a whole box of fan mail, says Evanne. Once a month the show was all black. Joanie, whose mother wanted me to be a child star, hit the show in early 57 at age 13 (you had to be 14 to be eligible, but many lied about their ages to qualify), followed a few months later by Joe, 17. What: The Buddy Deane Show was a teen rock-and-roll dance television show that aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964. The inspiration for this movie was born out of an afternoon teen dance show, The Buddy Deane Show, which aired on Baltimore's WJZ-TV from 1957-1964 until it was taken off the air because the owner did not want to integrate. Ironically, The Buddy Deane Show introduced black music and artists into the lives of white Baltimore teenagers, many of whom learned to dance from black friends and listened to black radio. Some of the really dedicated Committee members get tears in their eyes. This document may not be reprinted without the express written permission of Northwest Arkansas Newspapers LLC. I didnt mean to, because I never would have messed up the makeup.. There were a lot of obscene phone calls., And the rumors, God, the rumors. Why not do The Deane Show on TV again? Not show biz, Arlene answers, hesitating, but the record biz, the people. In 2003, "Hairspray" went on to sweep the 57th Annual Tony Awards, winning a total of eight awards. Black and white together on local TV. I wasnt going to go on and not be seen. But even Evanne turned bashful on one show, when Buddy made a surprise announcement: I was voted prettiest girl on this whole Army base. The guys who wore sport coats with belts in the back from Lees of Broadway (10 percent discount for Committee members), pegged pants, pointy-toe shoes with the great buckles on the side, and drape (greaser) haircuts that my parents would never allow. The night was full of delightful anecdotes, including these ten you may not have heard before. They would drive me nuts when theyd come in the door, and Id say Man, youre gone. Deane organized and disc-jockeyed dances in public venues across the WJZ-TV broadcast area, including much of central Maryland, Delaware, and southern Pennsylvania where tens of thousands of teenagers were exposed to live recording artists and TV personalities. Washington D.C.'s The Milt Grant Show offered "Black Tuesday" and Baltimore's The Buddy Deane Show had "Negro Day" because . Mary Lou was aware that in some neighborhoods it was not cool to be a Buddy Deaner. Oh, black teens could dancejust not with the white kids. At frantic meetings of the Committee, many said, My parents simply wont let me come if its integrated, and WJZ realized it just couldnt be done. From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the studio (the so-called Black Monday). Some fifty years later, the mindset is STILL the same. It's not just about police brutality. Over lunch at the Thunderball Lounge, in East Baltimore, Kathy remembers, I could never get used to signing autographs. The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled.The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled.The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled. They just wanted to know if you were real. [1], Deane's dance party television show debuted in 1957 and was, for a time, the most popular local show in the United States. The first page of the essay, for example, features a full-page picture of black protestors in 1962 in Times . The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . All the choreography in the movie prior to this was segregated by race, and now its all together, which is a very, very subtle reference to the theme of this movie.. You had to wear nylons. I havent seen her since we made the movie, said Waters. Sign up for our Email Newsletters here. Deane hosted a morning show at WITH. The "Corny Collins Show" in Hairspray is loosely based on the Baltimore teen dance program called the "Buddy Deane Show." One Baltimore woman fought to get black teens on the popular show back in . They all thought all the girls were pregnant by Buddy Deane, remember several. At first I was so shy I hid behind the Coke machines., But Evanne used to come right home and head for the TV. Helens fans flocked to see her at the Buddy Deane Record Hops (Committee members had to make such personal appearances and sign autographs.) Also, read the comments in that same excerpt about the series only wanting "attractive" teenagers as featured dancers. And it was not unique: Dick Reids Record Hop in Charleston, West Virginia; Ginny Paces Saturday Hop in Houston, Texas; John Dixons Dixon on Disc in Mobile, Alabama; Bill Sanderss show in Chattanooga, Tennessee; Dewey Phillipss Pop Shop in Memphis, Tennessee; and Chuck Allens Teen Tempo in Jackson, Mississippi, were all segregated dance shows. Nationally, American Bandstand blocked black teens from entering the studio during its years in Philadelphia, despite host Dick Clarks claims to the contrary. I was able after a while to afford some clothes from Lees of Broadway (whose selection of belted coats and pegged pants made it the Saks Fifth Avenue of Deaners). These were the first role models I knew. Oh sure, if you were Joe College [pre-preppie], you just didnt do The Deane Show. Did you ever tum into a Joe College? I ask innocently. It was similar to Philadelphia's American Bandstand. It is hosted by the titular Corny Collins, with the exception of the monthly Rhythm and Blues special which is hosted by Motormouth Maybelle . See production, box office & company info. The Buddy Deane Show was over. The Buddy Deane Show was a highly visible regional program that asserted a racially segregated public culture. In a long list of reasons why we find it difficult to wait for freedom, King writes: When you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six year old daughter why she cant go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky then you will understand why we find it difficult to wait. Buddy wanted it to end happily, but WJZ angered Deaners when it tried to blame the ratings. So I gave it the happy ending that we had, Waters said. . By representing this realityin bubble-gum, technicolor clarityHairspray does something that pure documentation, at times, cant: It makes a difficult part of a nations history accessible (and entertaining) to millions of viewers. Originally an all-white teen show with a monthly "Negro . 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